• न हि ज्ञानेन सदृशं पवित्रमिह विद्यते।

  • ज्ञान के समान पवित्र इस संसार में कुछ नहीं है।।

  • There is nothing more pure in this world than knowledge(Jyana)

Student Zone



I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.

- Oscar Wilde

The Dramatics Society of the College became active in the year 1999 under the Red Stockings Society of the Department of English. In the year 2001 it became an independent body under the name Chilman, no longer limited to one department but open to all students of the College. The word Chilman means screen or drapes. Since its inception, Chilman has done significant work and has given a new impetus to theatre in the College.

The objective of the society is to foster talent for theatre, and to promote in the College a vibrant theatre culture. For this purpose, it stages productions, mime and mono-acting performances, participates in competitions and the like. Its activities can be categorized under three heads: theatre workshops, major productions and minor and experimental productions.

Notable Work

Chilman is an ambitious society which strives for excellence. As part of this quest, it puts up one major production every year. Over the years we have put up plays like Birjis Qadar Ka Kunba (The House of Bernarda Alba), Romeo and Juliet, Ghasiram Kotwal, Andher Nagari Chaupat Raja, Kanpur ki Aurat Bhali … Ramkali (The Good Person of Szechwan), Oedipus Rex etc. These shows are put up in College, thus exposing a wide audience to good theatre. Sometimes, shows are also staged in outside auditoria, such as that of the Little Theatre Group.

In addition to plays, Chilman has been experimenting with other genres. For the College Annual Day 2008, Chilman put up a dance drama Durga, choreographed by the noted Kuchipudi dancer Tanusree. For the Annual Day 2009, Chilman put up another dance drama Rani Laxmibai, while for the Annual Day 2011 it ventured into ballet with Tchaikovsky’s Swan Lake.

Recent Performances

In March 2015, Sonali Jain directed W. B. Yeats’ The Words upon the Window Pane for the International Conference Yeats and Kipling: Retrospectives, Perspectives.

In 2016, Chilman performed Khol Do, based on the famous story by Saadat Hasan Manto, at several venues. It won the best production prize at Kalindi College and second prize at Abhivyakti

2016-2017 Another play based on Manto’s work, Kali Salwar, was performed at multiple venues. In March 2017, Rudaali was also performed.

2017-2018: Chilman performed Mohan Rakesh’s Ashadh ka Ek Din at several venues.

On 17 March 2018, Chilman performed A Night in Jail, a bilingual adaptation by Sonali Jain of The Night Thoreau Spent in Jail, a play on Henry David Thoreau by Jerome Lawrence and Robert E. Lee. The play was performed at India International Centre as the closing event of the International Conference on Thoreau.

2018-2019: In September 2018, a two-week long workshop was held to adapt the famous author, thinker and psychoanalyst Sudhir Kakar’s Mira and the Mahatma into a Hindi play.

Chilman performed Mahesh Dattani’s celebrated play Thirty Days in September at the Sahitya Kala Parishad and three other venues.

2020: The latest production A False Woman's Love (scripted by Pragya Dhiman and directed by Meenakshi Bharti) was lauded at multiple venues. It was based on realistic representation of the ideas/dogmas/unacceptability around queer or LGBT group and what is the role of society in accepting it in the public domain.

Awards, Achievements, Recognition

Over the last 19 years, Chilman has won numerous awards. Only a few are listed here.

  • In its very first year, Chilman bagged four awards for its annual production, Danish Iqbal’s Khauff, in the B V Karanth festival at the National School of Drama. This tradition has continued in recent years.

  • In 2008-2009, two of our final year members, Bharati Sharma and Dimple Kalshan, translated Vishnu Sharma’s one act play Consummation into Hindi, directed and acted in it. Their work won three prizes at Inter College competitions. Both went on to become theatre professionals, training at the National School of Drama and the Sri Ram Centre Repertory respectively.

  • In February 2010, Chilman participated in the three-day Allahabad theatre festival, and performed Birjis Qadar ka Kunba. Director Danish Iqbal was awarded the President’s award. Our team also won the best participating team and best camper award. Many renowned people from the field of theatre were present. The festival was a melting point of many cultures.

  • In 2016, the team bagged the best production at Kalindi College for Khol Do. At Abhivyakti, the Bharati College fest, the team bagged the first runner up prize, while Gunjan Prasad won the best actor award. Further, Neha Sharma won prizes for Mono-Acting in several competitions, including first prizes at Hindu College, Janki Devi Memorial College and Amity University. She has gone on to become a theatre professional.

Students Involved
Office Bearers: 2019-2020
  • President: Sonali Bansal
  • Vice-President: Neha Mittal
  • Secretary: Pragya Dhiman
  • Treasurer: Jyotsna Rana

Theatre groups in our society play an important role in promoting social discourse and potential social change. Theatre and performance are cultural phenomena for self-expression and the process of mirroring in society. Through them we can represent social issues and concerns, and come together as a community attempting to move towards social change. In university spaces they provide an opportunity to students, boost their morale, enhance communication skills and raise appreciation for various art forms existing in the world.

To those who wish to join us

Chilman is an extraordinary group of close-knit women, who put performance above perfection, collaboration above individual succession and creativity above convention. They do not merely perform with the intention to win, but perform because they wish to inspire change and educate people about topics that may be taboo. As part of our commitment to good theatre, we are ready to laugh and weep, but also question, provoke, denounce and disturb.

Chilman (2016 -19)